The visitor to the main exhibit building enters a wooded setting of trees, plants, a flowing stream -- a forest within a forest. The surroundings are extended in breadth and dimension through the use of a perfectly blended color photo-transparency in the background.

A voice invites visitors to explore two great mysteries in Scott's business -- first, the mystery of the enchanted forest, where a thousand magic ingredients are waiting for scientists to unlock them; and second, the mystery of the Goddess of the Market Place, the American housewife; whose whim is Scott's law, whose favor it courts. Then, a written message appears, unrolling between two trees on an invisible glass teleprompter screen. This message sets the theme for the exhibit, relates trees and women, and tells why Scott cares about both.

Proceeding on, the visitor becomes aware of a tinted wall mural on the right, sweeping ahead and blending into another woods-color transparency which melts into foliage.

Before crossing the bridge, the visitor is attracted by another message, on the right this time, briefly recounting the story of woodlands operations, their scope as the primary source of raw materials. The point will be made that the timber is a crop which Scott scientifically manages and harvests, not a resource that is cut and lost forever. The theme in this section emphasizes why and how natural resources are used, yet protected for future generations. The message also explains that along with making top quality products for consumers and jobs for thousands of people, by-products of good industrial forest management are wildlife, water and recreational opportunities.

In photo-mural treatment, a kaleidoscope of such woodland activities as cutting, harvesting, tree growing and floating the wood to the mill by river will be dramatized in black and white action photographs set out from the tinted-forest setting behind.

Thus lead on by the series of forestry pictures on the right, the visitor proceeds across the arched bridge still very much in the woodland setting but now attracted by a visual change of pace up ahead which leads her from the forest into a more man-made, structured world smacking of giant machines, forceful processes which transform raw materials into more usable forms.

The trees, realistic 'till now, are transformed into a more stylized design, still retaining their cylindrical shapes, but taking on new colors and bark configuration. Man's magical hand is making itself felt on this raw product.

Beyond the bridge another message appears telling the story of recreational by-products of forest management -- hunting, camping, fishing. This will be interwoven with the story of Scott's use of water. Water is the lifeblood of the paper industry's business and millions of dollars are spent to protect it, use it and return it to the nation's streams for re-use.

The pictures flash on in series using colors, backlighting and projected word descriptions of the processes where appropriate.

The visitor will then be diverted to the left, where a spectacular cylindrically-shaped exhibit device rotates 360 degrees describing pictorially, schematically and verbally the papermaking process from headbox to drier section in terms a ten-year-old child can understand.

The papermaking story is continued into the converting process through a series of dramatic color photographs. After about ten feet of these photos -- three in number -- another cylindrical exhibit technique will picture and explain Scott's quality control concept -- the men who perform the job, testing stations, the relationship of this function to consumers.

In the corner of the exhibit building, the visitor is next attracted by an exhibit location focused solely on women. This is midway in the exhibit and at this point Scott salutes the American housewife with an entertaining and provocative exhibit which shows her in her many roles -- doing dishes, laundry, ironing, harassed by kids, chief chef, clean-up detail -- the everyday world of a busy housewife. A graphic symbol representative of the Goddess of the Market Place is established, and will be utilized throughout the rest of the exhibit.

Each of five product exhibits will be unique in its technique and general appearance except for the continued use of the cylindrical or abstract tree trunk shape and the now familiar "Goddess" symbol. Each exhibit will have the similar net effect, however, of putting a Scott product or line of products in a service context rather than simply showcasing them.

At the end of this corridor, on the left, the visitor will proceed to a single exhibit representing Scott's Industrial paper products. This exhibit will attempt to convey to male and female consumers alike the value and utility of Scott's products as they are found in settings away from the home -- hotels, motels, office buildings, schools, hospitals, service stations.

As the visitor proceeds, she will be attracted to a spectacular, rotating enlargement of a single polyurethane foam cell, apparently suspended in space. The cell identifies an imaginative exhibit of the widespread utilizations of plastic foam made by Scott.

The next attraction, somewhat back to the visitor's right, will be another motion device showing the dozens of end uses of Scott's printing and converting papers.

The visitor approaches the end of the exhibit by way of a photographic presentation of Scott's research and development activities. This will be a "blue sky" area where the visitor's fancy will be taken in flight into the great future of Scott and Scott's easy-to-use light and airy products.